First, gentlemen don't care
The metaphysical means the way, the metaphysical means the means, the Ming-style furniture is the means, but it has entered the way, the core is the person, the person who resonates with things. The reason why Ming-style furniture can board the Daya Hall can become the aesthetic model of classical furniture that everyone recognizes. Here we must talk about the aesthetic taste of the two generations of literati in the Ming and Qing Dynasties, that is, the classical Chinese literati.
Suzhou, the center of furniture production in the Ming Dynasty, was the region with the most dense handicraft industry in China at that time. In the late Ming Dynasty, Suzhou and other places saw a trend of "rich and prosperous, especially for the poor". This is not only reflected in the clothing, the wedding customs and family furnishings at the time put forward new requirements for furniture, and reached the point of being "precious and sophisticated". In addition to being made from local beech wood, high-quality hardwoods such as rosewood, rosewood, and ebony have been used for precision work.
During this period, Tang Yin, Li Yu, and other literary writers joined the design of furniture, the discussion of style, and the promotion of time style, in particular, the personalized artistic ideas were melted into specific appliances, which made the literati ’s thoughts, art, and unique The aesthetics have been fully reflected, and at the same time, the Ming-style furniture production has reached a fascinating state.
Second, spiritual sketch
In the late Ming Dynasty, the good Confucian cultivation of Chinese literati kept them actively entering the WTO. They can't forget Wei Que, but they wander in the mountains and forests. This kind of contradictory but unified personality characteristics has become a basic characteristic of Chinese literati.
This realm constitutes the aesthetic attitude of "unity of man and nature", and it also sublimates the high moral character of the Ming and Qing literati, so that the Ming and Qing literati fully demonstrated "empty and concise" in the creative design and creation of Ming-style furniture. The aesthetic realm of the unity of man and nature has brought the artistic achievements of Ming-style furniture to an unprecedented level of art, and has become the "wonderful" and "spiritual" admired by the world.
Third, simple and ethereal
The biggest artistic charm of Ming-style furniture is simple, concise, smooth and ethereal, but conciseness is the first. Only by deleting the prosperity, can you see its spirit and reach the highest level of artistic aesthetics.
A simple and ethereal expression expresses the highest aesthetic direction of Ming-style furniture. Furniture embodying simple and ethereal beauty has been promoted as a superior product, which has its artistic origin and cultural background. It is directly influenced by literati painting since the Ming and Qing Dynasties, and the two have the same aesthetic appeal.
The literati paintings of the Ming Dynasty and their pursuit of lines and ink rhymes emphasized the contrast of rigidity, softness, moisture, and lightness created by the lines. , The soothing and gentle rhythm of the treatment, with the pure and simple pen and ink to give people the beauty, express the deep feelings of the literati, profound cultivation, artistic interest, unique personality, show that the depth of the literati temperament is super elegant Mentality.
The literati's pursuit of simple and ethereal artistic expression in the Ming Dynasty was reflected in the Ming-style furniture directly designed and produced by the literati, which created the simple and elegant, simple and elegant temperament of the Ming-style furniture, and the application and form of function The completeness of the above and the aging of the technique, the superb skills that integrate "use" and "idea", and the literati tendency of grasping the beauty and pursuing leisure are worth pondering. Huanghuali top spot is the dream of Ming furniture collectors all over the world!
Fourth, the quality
Ming-style furniture is known to the world for its unique materials. This is because their special materials fit well with the ideal of "literacy and quality" in literati aesthetics, reaching the artistic realm of pure jade.
Pure jade and turquoise gold is a traditional aesthetic ideal of Chinese literati, meaning natural beauty and no modification. This aesthetic ideal, which promotes simplicity beyond the beauty, has the same merits as the beauty of "literature and quality" traditional Chinese emphasizes. In Ming-style furniture and purple sand teapots, text and quality have reached a high degree of unity. The beauty of their materials is both internal and external. Whether it is red sandalwood, huanghuali, iron wood or beech wood, its wood texture is quiet, hard and simple, its patterns are colorful, smooth and gorgeous, and its color is as gentle and elegant as kantama. It fully shows that the attention to materials used in Ming-style furniture is a masterpiece that emphasizes natural carving.
In addition to the beauty of the material, it is the beauty of the "hot wax" of Ming-style furniture. As for the "hot wax" presented by the Ming-style furniture leather shells, there is no single book devoted to its cause. "Hot wax" is actually gloss, but not ordinary gloss, but a special gloss on the surface of the utensils. The hot wax is subtle and moist, without any publicity. From an aesthetic point of view, it is a complete unity of ignorance and ambiguity, and melody and charm.
Fifth, Jingyin's poetry
The creation of Ming-style furniture is the fun of literati's "city hiding". "City hidden" is different from "crazy hidden" because Chinese intellectuals began to shift from "words" to "words and fun" era. Any details in life become aesthetic objects and undergo aesthetic processing. Emotional, interesting, rational, humorous, and poetic to life is the true connotation of "City Hidden", which has become a very charming chapter in hermit culture.
Sixth, the Talent House
The elegance and vulgarity embodied in Ming-style furniture was not an isolated cultural phenomenon in the late Ming Dynasty, but a concrete reflection of the entire cultural ecology. The literary scholars sent in love art, artified life, and entered the elegant and vulgar with "appropriate feelings", creating elegant elegance. They can not only set up the world with poems, but also play life, so as to find the perfect balance between birth and entry in the artistic life.
In the context of this talented culture, Ming-style furniture entered the world of literati as a carrier, and they used this to describe their inner thoughts and life feelings. The literati participated in the design and production of Ming-style furniture, not only has its unique aesthetic concept, but also put forward a lot of unique insights in terms of materials, sizes, shapes, etc., to satisfy his leisure after tea and poems, books, pianos, paintings, etc. nessecery.
At the same time, in the design and production, the literati combined his poems, books, and paintings with furniture, inscribed poems, paintings, and seals on the furniture, making it more artistic and cultural.
Seven, all things quiet
The coordination of architecture, furniture, and environment has always been valued by ancient Chinese literati and scholars. It does not emphasize Ambilight, even if there are abundant conditions, it is not luxurious, and simple and elegant is the first. . The reason why literati at that time favored Ming-style furniture and re-created it endlessly was because they wanted to use furniture to express their feelings and reveal their spirituality.
Eight, the elegant house
The leisure feelings of Jiangnan literati in the Ming and Qing Dynasties played a key role in the highly aestheticization of Ming and Qing furniture. A set of study furniture, a few pieces of antique calligraphy and painting, ink pen, ink, paper and ink on the desk. Daze can help the world, and the poor can help themselves. The ideals of literati and samurai can stretch freely in this limited space. "Mo Lian fame, the dream bubble is limited; and for fun, the wind and snow are endless", this is a unique sky in a literati's dream.
The layout, furnishings and even the details of the Yashe are ancient literati's best efforts. In addition to the ancient people's texts and paintings, in fact, many classic works of Yashe can also be seen from Suzhou gardens. For example, in the Shilin small courtyard outside the Lingering Garden, there are quiet paths, a few fist stones, a few bushes of flowers, quiet and quiet. Outside the west window in the room, Feng Shiqi is strange, leaning slightly over the window to kiss his loved ones. Under the west window, there is a bag of Yaoqin on the piano brick. On the north wall, the flower painting screen and the large-scale Chinese window contrast each other.
The so-called Yashe is a holy place for old scholars who "sleep at night and get up early, and get up early". Here, you can lean against the window and look at the starry sky. Rough and desolate, enjoy "lonely joy". In this quiet and beautiful space, they found their self-esteem and self-esteem.
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