In China ’s more than 5,000 years of history, Chinese furniture has also undergone a long evolutionary process in different periods, from the initial “sitting on the floor†to “sitting on the footâ€, the transition from low to high furniture During the Ming and Qing Dynasties, the artistic achievements of classical furniture reached the most glorious peak period. It can be said that during the evolution of furniture, furniture has its unique laws of survival, and these laws are gradually being dusted in the smoke of history. Modern people cannot accurately understand why furniture has evolved to its current state.
Europeans have a good habit of sitting on their feet, because the climate in Europe is relatively humid and cold, and the climatic conditions make them sit up high. As Asians have relatively dry climates, they have formed a sitting habit of sitting on the floor. During the Wei, Jin, Southern and Northern Dynasties, high-type furniture only appeared. Prior to this, our ancestors were sitting on the ground, and the furniture used was also some low-level furniture. 
According to the records of ancient books, the ancients had different sitting positions such as sitting on the ground and skipping on the ground. Jiou is regarded as the most impolite sitting position. "Book of Rites · Qu Li" also has the saying "no limp when standing, no dust for sitting ", which means that the feet are spread with both feet open, sitting with knees slightly curved, shaped like a dustpan. When you want to understand furniture, you must first understand the history of Chinese clothing. The reason why Jiuju was regarded as an impolite sitting position was determined by the clothing at that time . Because in the Han Dynasty, the ancients wore trousers (without crotchless trousers) instead of crotch trousers, it was very impolite to skip the skirts. Therefore, the ancients must sit on their knees and cover their clothes, covering their lower bodies. Since we are a nation that is good at learning, this is why we later changed from sitting on the floor to sitting on the feet, thus creating high-quality furniture suitable for our daily habits.
In addition, classical homes have many things worth exploring, and sometimes the knowledge behind furniture can be literally discovered. Taking the word "chair" as an example, the original writing was "reliance", which meant to lean. In the Song Dynasty, with the increase in wooden furniture, the wording gradually became a "chair" by the side of the wood. The "stool" was originally used to step on, such as a horse stool, so the stool is not directional, you can sit on all sides, and the chair is directional. This is a process in the development of furniture, every piece of furniture has its survival principle.
The success of a good furniture is based on the cost of its simple production. There are sociological, literary, aesthetic, and even philosophical considerations. All these considerations can be used to make the furniture a higher level. The glory of Ming Dynasty furniture is based on the Song Dynasty, and Ming Dynasty furniture was produced by many contemporary top literati. However, today's top literati rarely participate in furniture production, and many literati may not like this craft. This is very different from the literati in the past. For example, the great literati of the Ming Dynasty, Wen Zhenheng, Tu Long, etc., they wrote books on cultural relics and made relatively classic comments on furniture, but today there are few such people.
In terms of material and spiritual, furniture is a very good combination, first of all it is not a short-term consumption. General furniture, especially favorite furniture, will follow one's life, even generations. Therefore, there will be a lot of spiritual things given to it in history, but this is not something that everyone can capture. For example, the difference between the official hat chair and the circle chair, the difference between the official hat chair and the southern official hat chair, the difference between the official hat chair and the rose chair, and why these differences occur, what are the differences in the positions of these chairs in the past family life Why do some chairs in classical literature focus on description? This all represents a humanistic spirit.
For example, in Tu Long's "Stationery", Wen Zhenheng's "Long Wu Zhi", Li Yu's "Xian Qing Ou Ji" and other books, there are similar descriptions. For example, it is appropriate to put some furniture here and change it. That's vulgar, these are not known by people today. People today will not become vulgar because of the different positions of a chair. And we will think that if the chair is elegant, it is elegant wherever it is placed. However, ancient literati did not think so. They felt that their position was elegant, and it was vulgar to change their environment. This spiritual pursuit is not something that anyone alone can understand today. This needs to be deeply involved in the field of furniture, and may also need to supplement the knowledge of other categories in order to clearly feel the original intention of the ancients.
More exciting information about furniture is in GO Jiaju !
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